That’s because of a second development: the QAnon set of conspiracy theories, which originated in 2017 and gradually gained notice by the mainstream in the ensuing years. These reports were widely read and shared but were reviled as often as they were praised. Though a representative from Angel Studios initially proposed an interview with Ballard, they later said they were unable to reach him to arrange a meeting.) In a series that kicked off in 2020, Vice journalists Anna Merlan and Tim Marchman began a probe of Ballard and OUR, discovering “a pattern of image-burnishing and mythology-building, a series of exaggerations that are, in the aggregate, quite misleading.” In a subsequent report, they alleged Ballard and his organization had engaged in “blundering missions-carried out in part by real estate agents and high-level donors-that seemed aimed mainly at generating exciting video footage.” (Ballard has not yet responded to Vanity Fair’s requests for comment. Several critical things happened in the years between the film’s wrap and its arrival in theaters. Sound of Freedom remained on the shelf until it was picked up by Provo, Utah–based Angel Studios in 2023, with a plan to release the film in theaters around the country. But like many other projects, the film lost its distributor when Disney acquired 21st Century Fox in 2019. Sound of Freedom was independently produced for a reported $14.5 million and financed mainly by a group of Mexican backers, according to the filmmakers. If this movie had been released shortly after it was made, that might have happened. After all, he says, “I saw the piece on the mainstream media … I always thought that this was going to be a film that we would all come together over.” “I never in a million years imagined that this would be political,” he said of the film, which would become a Ballard biopic-albeit one that takes great liberties with the facts. In 2018, when Monteverde was making his movie, these critiques weren’t part of the conversation. ![]() “They peddle sensationalism…and they fundraise off it.” “The majority of the field views them as fringe,” she tells me. “If I’d kept making a complete fiction, I wouldn’t have any of these attacks,” the Mexico native says somewhat ruefully.īut according to Erin Albright, an attorney and longtime adviser to anti-trafficking task forces, Ballard and OUR aren’t actually central to the international fight against human trafficking. With cowriter Rod Barr, he spun a fully fictional screenplay called The Model, about a monied, free-wheeling guy who discovers an underground trade in sexually exploited children, then starts buying the kids back into safety. The next day, he felt he needed to write a film about the issue. I just didn’t know about child trafficking for sexual exploitation.” ![]() “I watched it and I couldn’t sleep,” he tells me in an interview. He says he sat down to write the movie in 2017, after seeing a segment on an evening news show-” 60 Minutes, 20/20, Dateline, I used to record them all”-about child trafficking. What is the Jim Caviezel–led action drama Sound of Freedom, exactly? A solid independent action film, which has made a surprising amount of money since its release on July 4? A moving true story about a real American hero? A dangerous gateway into misinformation and conspiracy? A gamble that’s paid off beyond anyone’s wildest expectations?įor director Alejandro Monteverde, the answer is simple: Sound of Freedom was a calling.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |